Welcome To Photography & Best Video Editing Software!

Welcome To Photography & Best Video Editing Software! Here you'll find everything you need to learn about how to edit your pictures and videos with the use of editing software. But best of all, we'll cover green and blue screen photography, or "trick" photography, and show you how it's done. It's easier than ever to do, and it's really not expensive to start, either! You can manipulate your pics and video in layers, so that it looks like you're on a beach, or standing outside the Eiffel Tower if you like! All of your weather reports are done with green screen technology. Stick around, we'll show you how it's done!

Thursday, September 30, 2010

Green Screen Magic


Green screen is a technique used to bring imagination or illusions to reality through the placement of an actor or subject in the foreground of a solid color background screen film. One of the main colors of the use is green because it is easy to work and less likely to conflict with the colors of foreground. That is why the term green screen is used to identify this form of media. We witness the magic of the green screen or chroma key technology every day, when we look at the weather report on the nightly news.

Steps used in the creation of green screen effects are:

(1) Filming the actor or subject in the foreground of a key screen for chroma.
(2) Once the film is complete moved to the room where you post production by removing the green background and replacing empty space with deseado.Un background images editing example is in the movie Spider-man where he is jumping between tall buildings.
(3) During the filming of the first series of films of its necessary to use proper or adequate lighting to prevent shadows and thus define the outline of the picture.
(4) Camera angles right and the distance is necessary realism or false to prevent the results of the last movie coming out of aspect.

Other uses of technology green screen beyond the movie making are:

(1) Shows TV production as news and basis for action TV programmes.
(2) Web advertising
(3) Instruction videos as teaching people how to fly an airplane or helping to overcome their fears.
(4) Filming scenes of incredible action without causing injury or put anyone at risk.
(5) Improve still photography to create an amazing image.
(6) Making music videos.
(7) Key of chroma allows images are added or removed from the film during the editing process.

Green screen technology bridges the gap between reality and illusion provide an opportunity to use their creative skills to impossible movie scenes to the producers of the film.Chroma key combined with set of reality technology advantages:

1) Effective cost by eliminating the high costs associated with the location of the filming as: travel, transportation equipment, team bonus film, cameras and lighting equipment and other types of production equipment needed for the shooting.
(2) Eliminating the studies need to buy expensive footage stock which sometimes does not provide what is needed for a whole really creíble.El study you can buy cheap 30 second, allowing it to develop a reality set library to use again on other projects movie clip.
(3) Using sets of reality are more convenient to the actual location of filming that are constrained by high costs, distance, time, weather conditions, remote location, and other restrictions of production.
(4) Access to restrictive locations are overcome through the use of the key technology of chroma and reality is set as the filming at the airport, the House white or elsewhere where access is restricted or limited.
(5) Diversity with a library of sets of reality producers have various capabilities to easily create change, add or delete locations.
(6) The credibility is given to the producer when showing new customers than it is possible to create using green screen technology and sets the realidad.Además, this technology saves time by shooting the Elimination of the need to change camera angles during the filming. camera angles are easily added during post production film.

Green screen technology is limited only to the movie studios with large budgets? answer to this question is not, this type of technology can be in casa.Todo what are needed are purchases of: kit green screen, a video collection of reality, software editing film and a good imagination. most of this equipment can be purchase by Internet.La next time you see a movie with incredible action or special effects that can tell you I know how that was hecho.Si you have a video clip or picture that you want to increase or want to earn some extra cash at home think about investing in green screen technology.








There are so many other sites that offer various forms of advice on how to use the green screen, but most of them is not very detailed or precisa.Antes follow these, be sure to check my own articles and reviews on the green screen and green screen Los Angeles. also I can reach 1-323-851-3825 or phillipguy@hotmail.com


Simple Steps To Become A Famous Star

Okay, we discuss now about how to become actress. However, It seems too complicated, especially to beginners who seek to learn the basic training and be in the acting profession. By the way, the truth is, to become an actress only requires following simple steps. These steps will equip you to the real world of acting and make you a famous star.

Migrate to big cities. You cannot expect the big bosses in acting industry to come to you and discover your talent in acting. If you want exposure, then you go near where you have many opportunities to show yourself.

Join acting class. To become an actress and for you to enhance your talent in acting, you need to join an acting class. Schools in acting will offer training so you will learn not just the basic but the advanced skills in acting. Just make sure that the school is renowned for its capability to produce quality actresses. You can search for the best school over the Internet or in magazines.

Build your Resume. Your resume will determine whether you have the guts to be an actress. So it is important to make look remarkable so directors and producers and other big people in the industry will be impressed and consider you for an acting career. So put there all the training in acting that you have attended to.

Hire a Manager. For you to be promoted to big people in the acting industry, you need to hire a manager who’s already an expert to this craft. It would benefit you if he has already the experience in taking care of actresses. In other words, he must be capable of making you a star.

To become an actress is not too difficult as other people may have thought so. As long as you have the passion in acting and is willing to develop your skills in acting, and then you can savor the success to not just become an actress but a famous star.


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Training Trends 2010: What’s happening and so what?

I just finished giving a talk on training trends – what they are and the “so what’s” associated with them.

Here’s a link to the slides associated with this presentation

We had a nice group of folks participating, and we generated lots of discussion. Here – for those of you who don’t want to access the slides – are the top 6 trends we see, and the “so-what’s associated with these trends. Feel free to agree, disagree, or propose other trends.

The need/demand to compress time.The shift from “training” to “learning.”The shift from F2F to online classroom.Rapid authoring (and we aren’t talking about Articulate here!)The new blend – formal and informal.Mobile and web delivery.

The trends are pretty self-explanatory. I think it’s the “so what’s” associated with them that are more interesting. What implications do the trends have for learning professionals, learners, and, indeed, companies who employ people and, in theory, support learning.

Traditional learning design models need to be revamped and re-thought. We have to consider usability data from learners as part of this.Remembering is WAY less important than it used to be. Now…FINDING stuff is most important. (Think WebMD)Instructional design – and the role of instructional designers – has to change. (Yeah, this one kind of links with Point 1).The tech toolbox HAS to be big – you can’t just use one tool and expect it do be your one-size fits all learning solution. Instructional designers may not have the technical proficiency to use all the tools, but they better be able to identify appropriate tools and figure out what to use when (or know who to ask.We have many more distractions for learners and IDers to manage – NO ONE gives 100% attention to most learning events – formal or informal!The new blend – formal and informal – only works so well. The holy grail right now is to “formalize informal learning” which sounds great but may not be a really good idea. Informal learning that is “formalized” requires a gardener/moderator to tend to it and cultivate interactions/community. Informal learning that is mandated (e.g. You will submit X blog posts/week gets the required minimum….but doesn’t really foster better learning. For me, it’s more about recognizing when letting people learn on their own is okay – and creating tools that make it easier for this to happen.

I’m going to deliver this presentation again on July 14th in Bloomington, IN and again via webinar in late July. Check out our website if you’d like to sign up for the next webinar:

This entry was posted on Thursday, June 24th, 2010 at 2:45 pm and is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


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How should you offer presents your photos?


Photography is a form of art that is used to express human feelings, thoughts and different situations. With advanced techniques and technology, you can create mesmerizing images. Skills and advanced cameras, and techniques, you can create images of landscapes, portraits and realization of glamour image.

A person can create Visual effects with the help of video editing. There are a variety of commercially available video editing software that you choose. For picture prefect by, a person must know the audience. Hearings can be your friends, relatives or colleagues. You can even use the picture in order to publications and galleries. You must have Visual effects to make attractive and visually attractive pictures. Use a good quality with advanced technology camera for photographing the topic well. One can create an image and apply visual effects to images. If you are creating videos, you can apply fade in and fade out effects. One person can edit the colors of still images. For example, can change or modify the brightness, and adjust the contrast of images. For publications, a person can create images in low resolution that can be stored in compact discs, disks, Digital Video, and other such devices. Sometimes with the purpose of publication, a person may prepare an image for storing or submission in the slides. Therefore, a photographer keep the image resolution in mind while storing images on slides or other such devices storage. It is the responsibility of a photographer to determine how the images should be considered. It can be seen in the albums to friends and family. For this reason, decide the size of the images appear impressive. You can use special papers, fonts or frames for pictures albums. One can even use special quotes by the side of the picture.If you want it to walls, the framework must be sufficiently large to lucidity. ensure that there are any pixels of the viewable image and every feature in the picture is developed in the emphatic form.








123Videomagic.com webmaster Myself provide video editing software, the green screen software, chromakey software help to customize video / image replacement background, giving special effects depending on your needs.


Wednesday, September 29, 2010

Sony XDCAM EX PWM-320

The expanding family of Sony’s award winning XDCAM EX series of products now includes the PWM-320 shoulder-mount camcorder that delivers new levels of creativity and flexibility for solid-state digital production. The PWM-320 comes equipped with three cutting edge 1/2 inch Exmor full HD 1920×1080 CMOS imagers delivering superb picture performance with full HD picture resolution. DVCAM recording is a standard feature in the PWM-320 and supports 25Mb/s DVCAM recording in either PAL or NTSC modes, providing seamless integration into existing DVCAM workflows offering ultimate flexibility of use internationally. Weighing in at just a 3.2 kg, it’s one of the lightest shoulder camcorders in its class. With curves in all the right places, the PWM-320 is ergonomically designed, providing a high level of mobility and flexibility in various shooting situations. Exceptionally low power consumptionalso makes it environmentally friendly.


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How much support do learners want/need?

Lately I’ve been working on lots of cool projects where I get to help create interactive, learner-driven e-learning. Love it!  Which means that I get the opportunity to talk a lot about how much help learners should have, along with how soon they get feedback after making a mistake.  My challenge is that my first reaction is to provide very little help. My philosophy often is,  “In real life I don’t have someone looking over my shoulder telling me whether I’m making the right decisions.” Clients are often a little nervous about that approach and say, “We don’t want learners to become frustrated or feel like it is too hard.” Which position is right?

Well, it depends. Don’t you love that answer?  I think it depends on two things 1) the topic and 2) the learner.

How the TOPIC impacts the level of learner support:

Real-life consequences of making a mistake. The higher the potential consequences of mistakes, the more important it becomes to test learner ability in the training environment. I recently did an online module that was broken into two modules, Learn It and Do It. The Learn It module had more support, but the Do It had much less. We needed to be sure that the learners had mastered the skill.Ambiguity of right answers. I recently did a course that was product training and included conversation practices with customers. There are a lot of ways to sell a product and a lot of ways to approach customers. Because there wasn’t one “right” answer, we let learners go all the way down a path before giving them feedback with things for them to consider next time. No real conversation they have with a customer will be exactly like the one in the e-learning course, so we didn’t need to worry about them getting it “right”.

How the LEARNER impacts the level of learner support:

A less experienced learner (one with little prior knowledge about the task or topic) needs more support. Because they have less of a framework, they can’t evaluate their own progress as well as a more experience learner can.A tech-savvy learner will be more comfortable exploring the learning and making lots of mistakes to learn because they are comfortable in the learning environment. If your audience is not familiar with the learning environment (the computer, user interface, etc.), they have additional hurdles to overcome in addition to learning the task. Those audiences may need more support earlier to avoid frustration with the technology – which can transfer into frustration with the learning.

What SHOULDN’T  impact the level of learner support. There are a couple of arguments for lots of learner support that I really don’t buy:

We don’t want learners to think that the task is difficult. If it is really difficult, we aren’t helping anyone by making it easier in the e-learning than it really is.We don’t want the learners to feel bad if they make a mistake. Welcome to life. If they can’t handle that reality, there are other issues to work through!

What do you think? What other criteria helps you make decisions about the level of support to offer?

This entry was posted on Tuesday, August 31st, 2010 at 8:47 am and is filed under learning design. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


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Film Production Equipment

With the advent of new technologies, film production equipment and the materialization of digital video as an acceptable medium for film has given anyone the privilege to become a film director virtually overnight. Even if the cost of film making is high and some of this video production equipment are easy on the budget and can be learned easily without delay. Even though the focus is more on the art of film making rather than the equipment, easy access to video equipment has kept many starters driven to try film making and give it their best shot. These recent advances in film production have made way for independent films to prosper. The first step in making yourself a Steven Spielberg is to understand completely the basics of video production equipment.

It is fundamental for you to take stock of your film production equipment as you start setting up video for the shoot to ensure that you have everything you need. In creating a professional-looking film, the most fundamental video production equipment you need to have are professional video cameras, stabilization equipment and also film lighting equipment as well as a microphone or audio system. Some camera support equipment may also be needed like dollies, tracks, jibs, lifts, tripods, cranes and booms. Furthermore, you might want to factor in the trucks and other vehicles that will transport the cameras and other equipment needed for the filming. There are also times when specialized equipment may be required for enhancing audio and video effects. In other instances, climate control machinery is also needed to come up with the appropriate effects for the film.

When you are done with the creation of film on video, there is still some more video production equipment needed to edit and finalize the video and come up with your masterpiece. With the use of pro quality editing equipment, you can create your video one that has a professional polished look that sets it apart from any home video or any amateur film production. These video-editing tools may include video editing software, sound mixing equipment, and video duplication equipment.

Today there are many providers of film production equipment like camera, video, lighting and film processing. You should research on film equipment vendors, which can offer movie production supplies that will suit your needs. Find those that can offer quality service, technical skill excellence and also fair pricing. You won’t have to buy this video production equipment now since there are many that can be rented. However, if you want your own gear, it is many used items that you can purchase as well.


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Technical terms in motion capture

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(Pre - Production, Production, Post Production, Motion Capture, New Media)

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A) Pre - Production

Scene: A scene or script is a numbered part of a film script, which may be broken down into parts in longshot, medium-shot, close-up, etc by the director when shooting. A master scene is a fairly long length of the script, all under one number, which the director will certainly break down later. He or she may, however, take the whole of a master scene first, then shoot closeups of the various characters to cut in with this later. In animation the basic unit of continuous action, usually shot on one background, from which a film is built up.

Script: The detailed scene-by-scene instructions for a film or television production, including description of setting and action with dialogue and camera directions. When the script also has full details of visuals it is termed a 'storyboard'.

Storyboard: A form of shooting script common for animated films for many years and now usually used for commercials, even live-action ones. It consists of a series of sketches showing key positions for every scene, with dialogue and descriptive notes below. Still used in animation.

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B) Production

2D Animation: The creation of moving pictures in a two-dimensional environment, such as through "traditional" cel animation or in computerized animation software. This is done by sequencing consecutive images, or "frames", that simulate motion by each image showing the next in a gradual progression of steps. The eye can be "fooled" into perceiving motion when these consecutive images are shown at a rate of 24 frames per second or faster. 3D

Animation:

The creation of moving pictures in a three-dimensional digital environment. This is done by sequencing consecutive images, or "frames", that simulate motion by each image showing the next in a gradual progression of steps, filmed by a virtual "camera" and then output to video by a rendering engine. The eye can be "fooled" into perceiving motion when these consecutive images are shown at a rate of 24 frames per second or faster.

Character animation: The art of making an animated figure move like a unique individual; sometimes described as acting through drawings. The animator must "understand how the character's personality and body structure will be reflected in its movements.

Character model: A sheet of drawings defining the proportions, shape, clothing etc. of a character for the guidance of animators.

Computer animation: The technique of using computers to generate moving pictures. Some systems can achieve this in real-time (25 frames per second-or in the USA 30fps), but the majority of animation is created one frame at a time and then edited into a continuous sequence. Very sophisticated programs are required to perform the tasks of movement, fairing, perspective, hidden-surface removal, colouring, shading and illumination, and as the trend increases towards more realistic images, faster computers are needed to process the millions of computations required for each frame. The term "computer animation" covers a broad range of subjects, but overall can be defined as the creation of moving images through the use of computers. These images can be created in either a two-dimensional or three-dimensional space, and can be applied to web design, user interface design, application development, video games, movies, special effects, cartooning, and many others.

Computer graphics: Charts, diagrams, drawings and other pictorial representations that are computer generated.

Effects animation: The animation of non-character movements such as rain, smoke, lightning, water, etc.

Go-Motion: Similar to 'Stop-Motion', but the animation is produced by rods attached to the pupet/creature, which can be programmed by a computer to perform the required movement. The advantage over stop-motion is that a lot more realistic movement can be created, because the puppet/creature blurs slightly between each frame. The disadvantage is that the rods attached to the creature need to be hidden from view (e.g. using the blue-screen process)

In Between: The paper drawing of a figure that lies in sequence between two key positions drawn by an animator.

Key frame animation: The animator 'draws' directly onto the CRT display and produces a basic picture or cell. A number of these drawings can then be superimposed on one another to form a composite cell or key frame. Many of these key frames can be made up and stored in the computer to be called up and used as required. The action of the film can be created by stringing together the series of key frames, and introducing the desired movements between one frame and the next. Each key frame can be used over and over again by simply calling it repeatedly from the computer score.

Stop-Motion Animation: Moving a special effects puppet or model/creature a small amount and recording a single frame (or small number of frames) so that when the film is played back at a normal speed it appears to move. The disadvantage with this form of animation is that it can sometimes appear to 'strobe', partly due to the lack of blur between the frames.

Three-dimensional modeling: Geometrical descriptions of an object using polygons or solids in three dimensions (x,y,z coordinates) for the purpose of creating the illusion of height, width and depth.

C) Post Production

Edit : The process of assembling video clips, audio tracks, graphics and other source marerial into a presentable package.

Off-Line Edit : A "draft" edit, usually prepared in an off-line edit suite (at a lower cost), then taken to an on-line facility to make the final cut.

On-Line Edit : The final version of an edit, prepared in a professional edit facility.

Non-linear editing : An approach to video editing made possible by digital video recordings. As in word processing, video segments can be inserted between two existing segments without erasing either. Unlike the approach required when editing analog video , segments do not need to "laid down" in the sequence in which they will later be shown.

Off-line editing : The steps during the edit process when a preliminary selection of usable shots and scenes is made, and the tentative sequence of these elements is decided. This process is typically done with lower cost, simpler editing equipment than is found in a professional edit suite (where on-line editing is done). Using off-line editing can significantly reduce the total cost of a producation.

On-line editing : The steps during the edit process when the compilation of final program is done. When affordable, this is done in a professional edit suite with high quality equipment. If off-line editing had been done, the edit decision list from that phase guides the on-line edit process, typically minimizing the time and cost in the professional edit suite.

Post Production : The phases of production that occur after the recording, filming, or taping. This includes editing, mixing, effects, dubbing, compression, mastering, etc.

Render Farm : A group of computers which work together to perform the computation-intensive tasks of 3-D rendering.

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D) Motion Capture

Mocap : The process of recording the data from human movement so that it can be used for 3D characters created on a computer. Mocap can be used for 3D animations for film, TV and games, and for special effects work. There are wireless, magnetic motion capture systems, and optical systems, which track markers attached to the animator.

Performance Capture : The recording of a performance, either human or animal, using a Motion Capture system (or similar technology) - difference being that you can motion capture a table, but it is cannot give a performance. Special Effects Blue (or Green)

Screen : A system that replaces a specified colour (blue in this case) with images from another source. This can either be done optically (eg. using film) or electronically (eg. in video, also known as Chroma-Key in video). Some computer systems look at pixel in the scene and determine whether to replace that pixel with the other video source. Better computer systems allow 'some' of the colour of the pixel from 1 image and 'some' from another image. The better systems could be take transparent objects (eg. bottles) or smoke and combine these with the images from another source.

Chroma-Key : Keying out parts of an image which contain a particular colour (or colours). Eg. replacing a blue or green background with images from another source.

Composite : To combine two or more individual images onto one piece of film by photographic or digital means. Early compositing was accomplished in the camera by masking part of the scene when filming, rewinding the film and removing the matte and shooting again to expose the previously masked portion. Digital compositing is commonplace, in which multiple film images are scanned into the computer, combined digitally, and output to a single piece of film.

Motion Control : Controling the motion of a camera or special effects object (eg. model space ship etc), using commands from a computer, so that the exact moves can be repeated as many times. This makes it easy to composite it (ie.combine it with another shot).

Rotoscoping : Drawing around something in the frame so that an effect can be applied to that part of the film. If an animated creature has to go behind something in the live action piece of film, that object can be drawn around so a matte can be created, so that the createure will not show over the top of that object. If the camera is moving, then each frame of film would have to be rotoscoped. If the camera is still, then the same matte can probably be used for all frames in that shot. Rotoscoping was first used by the Fleischers for making cartoons. The Fleischers invented the Rotoscope, which is a device for projecting live-action film on to paper frame by frame, so that the outline could be traced and used as a guide for the animation. The Rotoscope consists of an animation camera and a light source (usually using a prism behind the movement and the lamp house attached to the camera's open door) that projects a print through the camera's lense and the projected image is then traced to create a matte. The lamp house is then removed and the raw stock placed in the camera and the drawings are filmed through the same lense that projected the image. The resulting image will then fit the original image if the two strips of film are run bi-packed in the same projector movment (using an optical printer). In digital film effects work, rotoscoping refers to any drawn matte, as both images can be seen compisited while the matte is being drawn, so good results can be achieved.

Virtual Sets : Sets which are generated (at least partially) from data within a computer. Mostly used for TV work, these systems replace the real set (eg. an empty studio) with a computer generated set, allowing the actor/presenter to move in the foreground. eg. the background is 'keyed out' and replaced with the set which has been created in a 3D package (eg. Softimage or 3D Studio Max), and any camera movements will be duplicated by the 'virtual camera'. This will require a powerful computer, especially if it is to be done in real-time, for example a Silicon Graphics machine. The method of keeping track of the camera movement (so that it can be duplicated in the 3D computer set) is different for the various sytems. Some systems use a blue grid painted on the back wall of a studio of a known size. A red LED is projected onto the cameras and the actor/presenter so that they too can be tracked throughout the set.

Visual effects (also called optical or photographic effects) : Special effects achieved with the aid of photographic or digital technology, occurring after the principal photography, or main shooting, of a film. Includes miniatures, optical and digital effects, matte paintings, stop-motion animation, and computer-generated imagery (CGI).

Wire Removal : Removal of unwanted wires, rods, etc. from a piece of film by replacing them with what would have been seen if they weren't there (eg. the background). This can be done by replacing them with the same area from another frame in which the wires/rods were not visible, or by averaging the colours on either side of the wire and replacing it with the average.

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E) New Media

A generic term for the many different forms of electronic communication that are made possible through the use of computer technology. The term is in relation to "old" media forms, such as print newspapers and magazines, that are static representations of text and graphics. New media includes:

* Web sites

* streaming audio and video

* chat rooms

* e-mail

* online communities

* Web advertising

* DVD and CD-ROM media

* virtual reality environments

* integration of digital data with the telephone, such as Internet telephony

* digital cameras

* mobile computing

Use of the term new media implies that the data communication is happening between desktop and laptop computers and handhelds , such as PDAs , and the media they take data from, such as compact discs.








A Motion Capture Assistant of Inner Esteem Motion Capture Studios For more Information please visit our 3D Animation Motion Capture Studios


Tuesday, September 28, 2010

Rules of Composition in The Film Production

Position the Main Subject. Always consider putting the primary subject in the center of the frame. If there is a definite left, right, front or back to the subject it might be shifted to the right or left, but if, for example, it is a round flower vase (no right or left) possibly it had better be in the center of the frame if it is to be the only thing in the shot. As soon as you put it to one position you draw attention away from the vase and into the empty space on the other side of the frame. If nothing will ever be introduced in this space, and then your audience is left wondering what was supposed to be there when the shot ends. Admittedly, there could be many reasons for ignoring this advice, but be sure you have a definite reason.

Set the Headroom. The term headroom refers to the distance between the top of your subject (like a person’s head) and the top of the frame. When it is a human head, it’s disturbing if the top of the head is “cut off” by the top of the frame. As you tighten the shot from a medium shot to a close up to an extreme close, up you will eventually have to sacrifice the top of the head, but in a very close shot that’s acceptable. It’s better composition to keep the chin and loose the top of the head. A good way to think about this is to always have the person’s eyes on the (imaginary) line that defines the top third of the frame.

In your imagination as you view your shot in the viewfinder, divide it into thirds both vertically and horizontally. The most interesting or powerful areas in the frame are where the vertical and horizontal lines intersect. So, for example, if you’re taking a shot of a small wooden church on a distant hill out in the country, you might want to place the church on one of the two intersection points in the top third of the frame. It’ll be a more interesting shot than just centering the church, especially if you see the church in profile (that gives it a sense of back and front).

Set the Lead Room. Lead room refers to the space you should put in front of a subject that is looking or moving left to right – or right to left. This can be a person standing still in profile speaking to someone who is off camera, or a car that’s moving as you pan or track with it. It’s common to put more lead room in front of the subject, but not so much that the subject’s back is against the frame behind it. The space in front is more important to the viewer than the space behind.

Check the Periphery. The periphery is the part of the shot that is right against the boundaries of the frame. After you’ve framed your shot, but before you roll, you should quickly check the frame all the way around. After your eye has traveled 360 degrees, you should search within the frame as well. It’s sometimes amazing what you find. Often it’ll be things that should not be there during your shot (electrical cords from your lighting, a shadow of the boom mic. or maybe even a person who you don’t want in the shot). A periphery check is very important.


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Photo editing software applications


Internet age has brought a variety of techniques to edit pictures and publish them online. Capture camera special moments and circulate them in the network social has become popular among Internet users. There are different types of tools that are presented to people like shot or film photo editing. These tools allow a user to edit pictures and videos as well as add visual and audio effects.

Editing tools are uniquely designed computer programs that come included with the camera or the computer system. A good tool is that is convenient and easy to operate. It should be a program that can be used by anyone. If you are a beginner in photography or an expert, should be able to manage and use effectively the functions of the tool. These are the basic attributes that someone look for while selecting the best photo editing software. There are some programs that are based on the latest technology. They give you an ability not only to the still-image editing, but also videos. Other types of programs provide a user with a capability to incorporate even the animation videos. A person can also benefit from the transition and Visual effects. It can also give for music video or the time that a film of still images. Majorly, users are concerned with the fact that the program you choose should give good picture quality.The range of prices must be affordable and cost-effective suit to the high quality presupuesto.Con and status - tools-art, a person still can adjust brightness, contrast of color and other Visual effects, or audio.

Reasons for using these tools:

Film makers can use these software as green screen technology to bring Visual effects and audio to your movie.It can be useful for amateur photographers as this enhances their skills of editing and preparation of videos.You can use these tools as audiovisual aids in the aulas.Una person with a hobby you can use these programs to capture moments hermosos.También you can customize your pictures and videos as by its necesidad.Profesionales may require the use of these tools for the preparation of presentations.








123Videomagic.com webmaster Myself provide green screen software, green screen, key software video software for chroma key of chroma Edition helps customizing video and image by replacing its background to make them look more attractive.


Video - editing A Step Ahead with green screen technology


Video editing has never become as easy as always with the technique of green screen. The technique is also called key editing of chroma. It is editing technique that blend two images together to create a unique and finished image. Photographers use this technique extensively in film and television to create a wide range of special effects.

Green screen technology procedure:

"Color" means colour in jargon and video chromakeying work shooting a subject against a background of a very simple and uniform color. A photographer uses blue or screens of green, because they are far from human skin tones that might get. It is also easy to use these two colours, and they are sensitive to the camera image sensors. Item not must wear green or blue color that can be the same as the screen background. Effects of the picture or video editing. The background screen should be uniformly illuminated and even Item foreground. This is to prevent any kind of shadows on the subject or in the background screen.Keep the subject and background in as far as possible.After the shooting, editing software replaces the background color by another shot by the photographer. the most common example is a map behind the presenters of Weatherman noticias.La stations person really is foot in front of a screen of green or blue which replaced in the control room with a background image of a map.

Use of green screen technology:

Editing with key technology of color video is easy to use to transform your videos and images and customize you the way you want. Professionals of mainly implementing this method, and used for photo for newspapers, magazines, advertisements and Internet sessions. Portrait photography, a photographer uses this type of technique. One commonly used method in television or news stations. A video editor often used the procedure in which saves time and money in shooting films.If you see your favorite actor scaling wall or obtain invisible, is the result of this technology.People who have photography as his hobby can also use it.One can use the technique at home as well.You need to mount a solid blue or green leaf in the pared.Tomar pictures that you want to replace and after firing Item foreground, use advanced editar.Esto photo program removes the background image and replace it with otra.Los teachers can also use the green screen technology through the placement of the image of a student in the area of the subject that are very funny aprendiendo.Es for one person to use this technology with convenience.








123Videomagic.com webmaster Myself provide video editing software, the green screen software, chromakey software help to customize video / image replacement background, giving special effects depending on your needs.


Video Cases and Camera Bags

You should know that cameras are sensitive and expensive electronic equipments. It should be secured when not in use. Some cases or bags are even designed for specific weathers to help protect all your equipments from the harshness of nature. For example, if you like taking photos of islands or beaches; you’ll need a video case or a camera bag that’s both water resistant and dust resistant. It shouldn’t allow for any foreign objects to enter the bag and contaminate the insides of your expensive equipments.

Sand can scratch the lenses of your camera, and water can short circuit the sensitive and expensive electronic equipments integrated in your camera. This is why it’s important for you to get a camera bag or video case to effectively protect your camera.

Since cameras and video equipments are quite expensive electronic equipments, it’s a prime target for stealers. This is why you should get a camera bag that doesn’t scream expensive photography and videography equipments. It should be simple enough to fool anybody looking at the bag that it doesn’t contain expensive equipments. This is why some camera bag and video case manufacturers designed their camera bag and video case to look like a conventional backpack.

If you want maximum protection, you had better gotten a camera bag with built-in foam padding. With this feature, you’ll never worry much about dropping your bag with your camera and video equipments inside. It will safely cushion the equipments in case it hits a hard surface, or if you accidentally dropped it.

Camera and video cases should as well have enough room for all of your equipments to fit. It should be able to fit your laptop, lenses, batteries, and other equipments inside. Furthermore, it should have separate compartments inside for every type of camera and video equipments in order to keep it organized and easy to find. This will mean no more tangled cables and no more broken or scratched lenses.

Another feature you should look for is that the equipments should be tightly fitted inside the bag to prevent it from moving around while you’re on the go. You’ve to consider that overmuch movement inside will result in letting your expensive gear bump into each other that will the most potential cause damage.

These are some of the things you should look for in a camera and video bag. It will be able to effectively protect your sensitive equipments and at the same time, let you access the equipments you need without too much difficulty.

Always remember that camera and video equipment bags are a necessary part of your camera. It will be able to effectively protect your equipment from damage due to foreign objects entering your bag, and it can also protect it from bumps due to accidentally dropping your bag or accidentally letting it bump on hard surfaces.

With a camera bag, you’ll be able to make sure that damage can be avoided while you’re on the go to the shooting location. It will be able to let you take photos or videos for a long time.


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Monday, September 27, 2010

Movies Streaming

The film industry is one of the most booming out industries worldwide. There’s no wonderment why viewing a movie online is so general in our society. This is because films seem to be one of the best resorts of individuals globally while it comes to entertainment. It’s difficult to search for a person, discovering an individual that doesn’t have the interest to watch films is almost impossible to find. To top the pleasure with, there are wide ranges of choices available for you to select from. Tv and film theatres are one of those options wherever watching films can be available. One can as well buy or rent film discs to play it in players or computers, but streaming movie online is so much easier.. Still websites that allowed you to see films online are becoming more and more popular. The important backgrounds why it becomes famous is that obviously this web site displayed more options out there in the internet and practically some film that has ever been gained. You as well have the option of seeing it each time you feel watching it. Offline store of a disc through a good choice but it doesn’t render a large capacity even though discs allowed you see films at the moment of your preference and neither is it possible to offer you a big deal of collections to select from.

If watching films or downloading film online is your pick there are things that you need to turn over beside a good computer with enough hard drive space and memory and a high speed internet connection. Even so, these are the things which are perfectly required in order to watch movies online smoothly because movies tend to get stuck when viewed from computers low on performance and over the slow net connection. You will involve at least a broadband connection as dial up connections are just not enough, and your films will either not load up or will not display properly. High resolution flat monitor is perpetually a smart choice for the better seeing experience. High quality effects are being acquainted in nowadays films, and they could be entirely stuck on low resolution screens on the other hand, you are able to get a distorted appearance if your tv is the non-flat screen. Among the flat screens a TFT monitor is always compared to liquid crystal display monitors as they have wider viewing angles and are better for viewing by a group of people. They’re as well glare free. What you need next are good audio and video device drivers and speaker systems. You can opt for 5.1 surround speaker systems and those reproducing dolby sounds for fantastic audio experience.

In order to view films online, an important software system is a requirement into your computer system. You need some video playing software program like Adobe Flash Player, Divx, Windows Media Player and Video Lan or Vlc. It’s better to supply the streaming media players Real Player and Quick Time. Streaming media is media, who’ve played on a viewer computer while it is being presented from the server where the database is kept. Closely, all movies that you are able to watch online without downloading on to your computer are streaming media. There is a particular number of internet web site that stream in two formats that can be played alone with Quick Time and Real Media Player.


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Understanding Green Screen stage


The first step in trying to understand the stages of the green screen is to identify a study using green screen or the technology of "key of chroma" in his film and other productions. This is important because it is easier to understand something, when is physically present, visible and accessible to who is trying to find out more. Most studies have a special room or area reserved specifically for the key technology of color films and video productions. There are cases where the stages can temporarily configure a room used for other purposes. In this case, one of the walls is usually used as the screen.

Understanding green screen stage, you need to start from the basics. That is, how a stage occurs from the first step in the last step. Begin with, the materials have to be purchased. This is material that will serve as a background. This can be a cardboard, tarpuline, or in cases where the wall is used as the display wall. Of course here the wall is not purchased. On the other hand, can be identified. The next step is to paint the material chosen green. Wall, cardboard or tarpuline is painted in the colour green.It is extremely important that materials chosen for the stages are high quality and not wrinkled or easily prone to lágrima.Esto is due to the quality of the stages of the screen green have a direct effect on the quality of the final production, whether a photograph, video, or film.

It is very important to note that any material chosen for the screen key of color should be very smooth.The painting and the shadow in the material must be even and reasonably brillantes.después that material has been successfully cured, then is mounted or placed upright to form a background. When you use a wall, is what is converted in the background once you paint.

The next step is to place the fair subject in front of the green wall, cardboard or tarpuline.El item should be placed as part of green, so the green zone is the background. This type of green screen stage or you can apply in a situation of photography, video or film, depending on the intended production.Thereafter, the theme is filmed (according to the story), photographed (if a photo) or adopted if it is a video filmed video.

Once taken shots with the stages of green screen background, photography, video and film editing can begin.Professionals often use specific software programs to replace stages with any background desirable, as determined by the actors or topic, to create the effect of screen verde.Donde no application software, alternative background can be placed manually in the form of a portrait, painting, drawing, or an imagen.Esto is particularly common with photographic productions.








There are plenty of other sites that offer various forms of advice on how to use the green screen, but many of them are not very specific or conciso.Antes that after these, make sure you check my own articles and reviews on the green screen and green screen stage, also I can be the phillipguy@hotmail.com or call 1-323-851-3825


Green Screen Video Tips

Leannne standing on the green screen. Leannne standing on the green screen.

Happy Fourth of July! As I thought about all of the pyrotechnics of the coming holiday, the special effects the video crews will use to produce that TV special with the Boston Pops and the fireworks from the White House lawn, I had to reflect on my own special effects moment from earlier this week, a green screen video shoot.

The project we’re working on has a learning agent that guides participants through the course. We’re using a combination of still photography and audio along with green screen video. The shot went great, but we did learn a few tricks for future green screen videos:

Use a teleprompter. Even if it’s just a few short sentences, it’s hard to remember marks and the script. And since you really want the talent to hit the marks, lessen the burden on the script side.Bring sticky notes! If the learning agent is pointing to buttons on screen, you’ll need to mark them off on the green screen, but sticky notes on the monitor will make sure the people watching know the agent is hitting the mark.Keep it short. Green screen videos are shot in one take, if possible. Thirty seconds to a minute is really about all you need. Another reason the teleprompter is key, too.Use props. The learning agent feels more comfortable when he or she has something to do, besides walk across the screen. Props that illustrate key points give him or her action to take. Picking up a book from a table can be easier than trying to talk to the camera.Set cues for moving hands or changing position. Not everyone feels comfortable on green screen. Offering suggestions of when to move their hands or even walk a bit on screen can be helpful for new talent. We recommended keeping your hands above your waist, as you’re more likely to gesture with them naturally as you speak. Have hairspray. Editing green screen can get complicated if the learning agent has lots of fly-aways. The hair will get edited out when the background is removed. Our wonderful talent was thoughtful enough to bring her own, but next time I know I’ll have an extra can with me!If you’re getting started with your own green screen video shoot or any video shoot for that matter, check out I Came, I Saw, I Learned for production tips and tips on purchasing the correct equipment for green screen.

What other tips do you have for producing green screen? I definitely want suggestions before I do our next video shoot!

Tags: green screen, Tips, video

This entry was posted on Friday, July 2nd, 2010 at 10:54 am and is filed under emerging trends and technologies, project management of learning solutions. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


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Training vs. Learning: When all you really need to do is communicate

I’ve been doing a bit of work with clients lately where their “training request” is really a request for communication design. I devised a graphic to help clarify the distinctions in “learners” using terminology that I’ve heard several clients use: shallow dive vs. deep dive. Shallow dive implies we need to tell them SOMETHING, but we don’t really expect them to have to use a lot of the knowledge on the job – they will ask others to help them. Deep dive implies they are teaching other people to swim or they are applying the knowledge in pretty significant ways. There’s a third group – left standing on the shore – that are just supposed to be “aware.” (This group doesn’t use the knowledge at all…they just have some peripheral awareness of stuff that’s going on.)

Often, organizations REALLY just want to communicate stuff to people – they don’t really expect them to learn to DO anything. This is not a bad thing…except when we over-engineer the “learning solution” when all we really want to do is tell someone something and ensure they can locate the information later when they need it. In instances such as these, people don’t need courses – they need a place to find information.

How many of you, dear readers, have visited Web MD? It’s a great website, full of info. I’ll bet most of you have been there – and most of you can’t remember exactly what you’ve looked up the last 5 times you’ve visited. Doesn’t matter, though, because you can go back when you need to and find more info.

I think Web MD is a terrific example of creating a tool that is useful for communicating information and make it it easy for people to FIND information. This is is a frequent, unrecognized goal of lots of “learning solutions.” We create e-courses with NEXT buttons when what we really need is a resource that helps people find information when they need it.

We just created a learning solution that I think is really cool. It’s an “online quiz” that simply asks people questions about what they know. If they get the question right, terrific – they move on. If they don’t get it right, they get a “hint” about where they can find the right info. The “hint” links them to a reference document -already available on their website – that gives them the relevant info. This solution does three things:

1) It let’s learners quickly access whether or not they know core information that they should know as part of their jobs.

2) It gives them immediate feedback about what they don’t know. If they get a question wrong, it points them to the right reference source for locating information. This reference source is available to them outside the “online quiz.” The quiz simply helps orient them to the presence of the reference and helps them use the reference immediately AND figure out where to find it later.

3) It eliminates reading screen after screen of information learners won’t remember.
With the quantify of information we are all fed each day, designing solutions that are more about helping us locate information and less about attempting to embed things in memory is a critical need.

This entry was posted on Tuesday, August 10th, 2010 at 3:04 pm and is filed under learning design. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


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Sunday, September 26, 2010

Green screen technology: a new forward in video editing


Video editing is the method in which one edit segments movement with special effects and sound recordings video footage. The use of these effects, a photographer can communicate events of fiction and nonfiction. The main objective is to manipulate events to communicate the message wanted the Viewer. Green screen technology is one of the processes implemented for Visual effects. Green screen is an advanced technique that manipulates images you want to the shape of a photographer. A photographer can reach beyond the horizon of reality and create something that blends fantasy to reality.

The green screen refers to the process of blending two images. In this process, is remove the color from an image to display another image behind it. It is difficult to determine if you must use blue or green color as a background. However, a photographer uses mainly green, as digital video camera image sensors are more sensitive to this color. Advice to determine the color is that the topic should contain as little of the color of the screen as possible. For example, when the background is a green farm should opt for a green color. If you want to represent an area of sea or a cloudy scene photographer to use blue as a background. Adequate lighting and camera high quality are prerequisites in this technology. With good lighting, you can avoid shadows on the face or subject that prevents deaf or little clothing clear of the subject. It can also cause unwanted shadows on the subject. A high quality camera equipped you with the best technology to take the picture of an item.Gives a clear picture with bright colors and lighting adecuada.estos two prerequisites give desired results a photographer.

Photographers often use this technology to photo shoots in magazines, newspapers and the Web. Advertisers use technology for modeling. Fashion design is another profession where one can be used for such purposes.Photographers are able to repair all kinds of backgrounds with this technique and elaborate scenarios.Who are lovers of photography can also utilize technology in the hogar.Monte green or blue color to the wall and take pictures or videos from its vast queridos.Es beings pleasure see their faces well lit with surprise when they see themselves in unimaginable, places using the video editing software.








123Videomagic.com webmaster Myself provide green screen, software, video editing software the key of chroma software helps customize video / image replacement background, giving special effects depending on your needs.


Learn Filmmaking the Tarrantino Style

The World Wide Web can be a treasure trove of knowledge on almost anything and every thing. Perhaps you’d be considering tips on how to learn filmmaking. All sorts of other persons have a similar fascination. There is certainly a lot helpful information offered on that if you’re interested. Maybe this informative article can make it less difficult for you to achieve your objectives regarding learn filmmaking. Do you would like to know tips on how to generate good films without spending thousands like the Spielbergs out there? Continue reading and study the best way to do it in 3 simple measures!

Step one is come across a good resource for filmmaking tips and of course some movie training. You truly need to get this mainly because you have to begin with a excellent film training site. Look if they offer some totally free tips and maybe a news letter to maintain you up-to-date with the newest news. You might ought to stay away from websites that are offering weak and very low high quality guidelines. A lot more typically than not you have to pay for details you’ll be able to get elsewhere for no cost.

You have to do this very first action promptly, properly and entirely. Must you do not complete it correctly, then you may possibly lose some cash which you must purchase definitely required items for the film training.

The 2nd action is going to be certain what type of movies you need to make. Only quite a few nice films with your youngsters or truly fantastic looking low budget movies. Factors you’ll want to prevent here are things such as “Oh no I can not generate a high excellent Movie!”. And make sure you avoid this sort of thinking. When you think you possibly can not do this then you are going to never create good quality movies.

Your third step will be the appropriate area for your project. You should learn filmmaking that’s obvious but you need to learn the way to select the suitable location too. This is very crucial mainly because if you choose to produce a Christmas film then you are able to not go to the sahara!. What is critical to prevent may be the wrong location. The example above is fairly hard but you definitely have to invest some time for the very best place. If you master this it is possible to save a lot of cash for decor along with other stuff you will need for the film set.

Keep to the exact actions outlined above and you ought to have little if any complications with how you possibly can learn filmmaking quickly and properly, effortlessly. Simply do the items you must, for the factors given and avoid the difficulties as well as barriers discussed. After that pat yourself on the back! And enjoy the benefits and rewards of getting a wonderful motion picture which you earned by your very own efforts! Just use the best filmmaking tips.


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Green Screen Tips

By shooting your next project on a green or blue screen, you have the ability to create a clean and stylish video production. Having the ability to change your subject’s background in post production will give you limitless options when it comes to your final product. There is a wide variety of chroma key backgrounds to choose from that will give your video production a polished look similar to larger video productions.

Using a green or blue screen in your production pipeline is simple: get a solid color background, film your subject in front of the background, then remove the chroma key in the background using your video editing software and replace it with something else. However, getting a precise key from your video can be a trial and error process that could cause frustration if the original video is not shot correctly.

Here are some techniques that you can use to make your green screen background production as trouble free as possible:

CHOOSING YOUR BACKDROP

-  A chroma key background can be any color as long as it is not contained within the foreground elements you would like to keep in the scene. Most video productions utilize either a green or blue screen. A clean key can be achieved with either color, but you will want to take into account the color of clothing your talent will be wearing and also make sure nothing in your scene closely matches the color of the background color you are trying to remove.

-  Use paint or a drop cloth and try to remove as many wrinkles or variations in the color of your background as you can. The more consistent your background color, the easier time you will have been removing it in post production.

ILLUMINATION

-  The most important element of a good green screen video production is the lighting. A well lit scene will allow you to tell the software what color to knock out and what elements to keep in the scene.

-  Set up a series of lights who illuminate your backdrop consistently and try to reduce the number of hotspots on the backdrop. Outdoor or fluorescent lighting is a good option because it is a diffused light who spreads evenly across your backdrop.

-  Light your subject well using diffuse lighting as well. Furthermore, a back light that illuminate the back of the subject will help to create a clean edge for your video software to work with.

SETTING UP YOUR SCENE

-  Place your subject a minimum of four steps from your backdrop. This will eliminate shadows from falling onto the green screen and will also help to minimize the color spills. Color spill occurs when the reflected green from your backdrop “spills” onto your subject and causes the color of clothing or skin to change the hue to match the backdrop. This can cause problems for your color key software and results in rough edges on the final production.

CAMERA SETUP

-  Try to shoot your video with the best HD camera you have been available. If possible, use a camera that allows you to make manual adjustments to the ISO/Gain, shutter speed and white balance. The ISO/Gain controls should be set to a low setting. This will require lighter, but will give you cleaner video with less noise and artifacts.

If you follow these simple rules, you can create high quality green screen footage that will allow you to remove the background in your video editing software. Now you can replace the green screen with a virtual background or other video background. Have fun!


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How to use a green screen background in your next video production

Virtual studios are useful in a wide range of situations .  By utilizing a virtual studio for your video production, you have the ability to place your  talent in any type of backdrop and to update your background with ease. Whether you are using your video for a tradeshow, podcast, product demonstration or news, a virtual set will allow you to create an easy and inexpensive video production.

Today, I will show you how to use a virtual studio with Adobe After Effects. The techniques we examine in this tutorial can also be applied to a number of other non-linear editors that allow you to remove green screen from video footage (many do allow this).  Everything about this tutorial should be the same in various other editors, the only difference is the sequence to apply the green/chroma key effect to remove green screen from your video footage.

First, open after effects and import your video files.  You should have a video file that contains your talent shot on a green screen, the virtual set layer (this can be a still or animation), and a layer of video footage or animation to place in the virtual studio monitor (if your virtual studio has a spot for additional footage).

Now, create a composition (go to composition, new in the top menu) and drag the 3 files into your composition.  Make sure your files are in the following order from the top.  The first layer contains your talent footage shot on green screen.  The next layer is your virtual set layer.  The bottom layer will be the footage you would like displayed in the virtual studio.

Select the top layer with your talent shot on a green screen .  Next, click effect in the toolbar, scroll down to keying, and select keylight.  If you do not have keylight, you can select color key or color range to remove the green screen from your shot.  Now, within the effect controls for keylight, select the eyedropper next to “screen color” and choose the green color behind your talent.  This should remove the green color in the background of your video footage.  If needed, you can adjust the settings in keylight to remove any color spill or rough edges from your subject.

Next, lets remove the green from the news studio monitor (only needed if your studio has a monitor in it) .  Select your studio layer, and click effect, keying, keylight again to create another color key on the virtual studio layer.  Now, select the eyedropper next to “screen color” (in the keylight effect controls window) and choose the green color in the monitor on your virtual set layer.  This will knock out the green in the monitor allowing you to see the footage on the bottom layer.

Now, you can adjust the layer below the studio layer to scale it into place.  You can also edit the footage on the last layer to change what appears on screen.

  The last step is to render your video to combine all the elements into a final vido.


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